Stained Me:
Exhibit No. 3

A Black woman stands inside a box, surrounded by a target, evidence markers, and bullet-like wounds. This piece considers what happens when Black women speak inside institutions and become marked for disrupting what was meant to remain comfortable. “Stained Me” names both the harm imposed upon us and the mark we refuse not to leave.

The Cost of 100%

Study I: American Record

I began this work by putting my hands into black paint because I needed to feel and hold my Blackness somewhere safe. The imperfect target became a record of Black women who spoke, resisted, organized, and disrupted. Their dates sit beside women whose lives reveal another cost: being expected to give everything while carrying what institutions refuse to name.

The Cost of 100%

Study II: American Color

The same target appears in bright color, but the history underneath it has not changed. Black women are celebrated, watched, remembered, and targeted at the same time. The color draws the eye while the names and dates ask the viewer to stay. When our voices become difficult to hear, the image keeps speaking.

Ledgered in Red.

A Missouri ledger records enslaved Black people alongside land, equipment, and property. I place red lipstick across that history as an interruption. The mark becomes speech where the people named in the ledger were denied voice and ownership of themselves. When words are erased, the stain remains and says: we were here.

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New Life

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Cartographies of Freedom